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Hello everyone, For those of you who have been reading my Field Notes for a while, you might recall that alongside my consultancy work at NEON NAVY, I also hold the role of Chief Marketing Officer at Viperium. As a soon-to-be-launched cryptocurrency, $VPR forms part of the wider Viperium ecosystem and towards the end of last year, this took us to Singapore to attend TOKEN2049, the largest cryptocurrency conference in the world. It was fascinating to see the range of projects already live, or under development, using Web3 and blockchain technology. A few months into the role, and now far more immersed in the technology behind it, I have started to notice how luxury houses are also beginning to experiment with blockchain in their businesses. Luxury has never been fast-moving when it comes to technology, but that does not mean experimentation is not happening. And thankfully, this experimentation has moved well beyond the NFT craze we saw a few years ago. Digital Product Passports as the Entry PointMost real-world applications today take the form of blockchain-enabled Digital Product Passports, or DPPs. A DPP is a digital twin of a physical product, accessed via a QR code or NFC chip, designed to verify authenticity, origin, and ownership history. For luxury houses, this is a meaningful step forward in addressing counterfeiting, which continues to affect both primary and secondary markets. This importance is reflected in the creation of the non-profit organsation: AURA Blockchain Consortium, founded by LVMH, OTB, Prada Group and Cartier, part of Richemont. AURA provides blockchain infrastructure built specifically for luxury applications. Through these systems, DPPs also support aftersales services, warranty records, and resale verification, benefiting both the maison and the client. Luxury houses actively deploying blockchain-enabled DPPs / authentication include, among others, Prada, Gucci, Chanel, Bulgari, Breitling, Rolex, and Panerai. At present, the strongest value lies in provenance, traceability, and lifecycle management, rather than speculative tokens or NFTs, aside from rare and cultural experiments such as the collaboration I mentioned in Field Note 12: Why Luxury Keeps Turning to Art, where H. Moser & Cie × Azuki × The 1916 Company created a highly collectible digital-physical experience. “Blockchain is not about creating new digital products for luxury. It is about creating a shared layer of trust around authenticity, ownership and client relationships.” Richemont executive, speaking on the AURA Blockchain Consortium From Product Verification to Live ExperiencesThis raises a practical question. If ownership can already be verified at the product level, what happens when the same logic is applied to physical experiences? This is where blockchain begins to get interesting for me. “In luxury, the product is only the beginning. The relationship is where value compounds.” François-Henri Pinault, former CEO of Kering Traditional Luxury Event ManagementMost luxury events still follow a familiar pattern:
The process is fragile, inconsistent, and administratively heavy. A Blockchain-enabled Event Model (aligned with current Cartier infrastructure)Here is a simplified example illustrating how a blockchain-enabled event could function using systems already in place today, particularly within the AURA ecosystem. 1. Ownership establishes eligibility When a client purchases a Cartier watch:
2. Event access is defined as a condition Ahead of an event, Cartier defines a rule: “Access is available to current owners of the Ballon Bleu limited edition.” Any client who meets this condition qualifies automatically to be invited. 3. Invitations surface automatically When the event is announced:
4. RSVP is bound to ownership RSVP is confirmed by ownership verification:
RSVPs cannot be transferred without transferring ownership of the watch. 5. Entry is verified on site At the venue:
There are no clipboards, no excel sheets, no manual lists. 6. Attendance becomes part of the client record Because attendance is verifiable:
This enables automatic post-event privileges, such as:
No emails, no forms, no loyalty cards. This is, of course, a simplified example, but it reflects a very real opportunity. Event management, CRM, and client recognition can become cleaner, more accurate, and far less dependent on manual processes. Over time, this logic naturally evolves into loyalty systems based on participation and experience rather than points or tiers. Innovation in luxury rarely moves quickly, but it does move deliberately and with infrastructure such as the AURA Blockchain Consortium now in place, the foundations for these changes are well within reach. What I'm into Right Now:📚 Books: Scarcity: The True Cost of Not Having Enough, by Sendhal Mullainathan & Eldar Shafir Thanks for reading everyone! Zantelle |
I track how luxury moves through culture, capital, and technology. I run NEON NAVY and lead marketing at Viperium. These Field Notes are where I think out loud: client work, market shifts, things worth noting. Written from Cape Town, Milan, Dubai, or wherever the work takes me.
Field Notes has a new home. If you've landed here from an old link, welcome. And thank you for finding your way back. Field Notes has moved to Beehiiv, where it has a fresh new look, a new online archive, and a better reading experience all round. All 14 issues are waiting for you there, and Field Note 15 is on its way very soon. READ FIELD NOTES ON BEEHIIV See you on the other side. Zantelle
Hello everyone, 2024 was the year I established NEON NAVY. In most cases, a fairly regular administrative process of registering a business and opening a bank account. Not in my case. As a South African citizen and Italian resident, it took me eight months to find a solution that ticked all my boxes. And in those eight months, countless calls with lawyers, accountants, tax advisors, wealth managers and financial managers discussing every possible fiscal and tax setup imaginable. It was not...
Hello everyone,Welcome to 2026. January, with its colder temperatures across the northern hemisphere, is always the season that pushes me indoors. Wrapped up warmly, museum-hopping, and consuming an unreasonable amount of hot chocolate. Living in Milan, museum and exhibition options are hardly scarce. This month, I visited the ADI Design Museum which, alongside its updated permanent collection, hosted nine BMW Art Cars for a limited period. Although I’ve seen all twenty BMW Art Cars before,...